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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Foreigners breathe new life into Japanese funeral business外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 拡散状況 関連ページ Foreigners breathe new life into Japanese funeral business 外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 0 Foreigners breathe new life into Japanese funeral business 2005,12,26 Yomiuri Weekly (1/1) By Ryann Connell 外国人が日本の葬儀ビジネスに新しいいぶきを吹き込む 読売ウィークリー(1/1) ライアン・コネル記 1 It wasn t all that long ago that Japan was accused of closing its markets off to foreigners. But now, Yomiuri Weekly (1/1) says, there s a lucrative business Japanese are actually dying for foreigners to get into -- literally. 日本が外国人に対して市場を閉ざしたことで非難されたのは、さほど昔のことではない。 しかし今、読売ウイークリー(1/1)によると、外国人の参入を求めて日本人が -- 文字通り -- 死にそうなほど、儲かる商売がある。 2 Average Japanese funerals cost enough to make the deceased roll in their graves. Costs often run well into the millions of yen and bereaved families are often so fraught with dealing with the loss of a beloved one, they pay out whatever and whenever the undertaker demands. 平均的な日本の葬式には、死者を墓穴に転がり込ませるに十分な費用がかかる。 費用はしばしば数百万円もの高値になり、そして遺族はしばしば愛する人の喪失に折り合いをつけるために精一杯なので、葬儀屋の請求がなんであろうといつであろうと支払う。 3 In fact, a Fair Trade Commission study found that 96 percent of consumers felt that they were not in a position to get selective about the funeral business they chose to use, while 36 percent didn t even receive a quote for services before they were charged. 実際、公正取引委員会の調査で、利用者の96%は、自分たちはどの葬儀会社を利用するかについて選択する状態になかったと感じていて、36%は、請求されるまでは葬儀の見積もりすら受け取らなかったことが、明らかになった。 4 That s where people like John Kamm and the All Nations Society come into it. Kamm has a postgraduate degree from prestigious Waseda University and studied the Japanese funeral business. ジョン・キャムやオールネイションズ・ソサエティといった人たちが参入したのはそこだった。 キャムは名門・早稲田大学の大学院課程の学位を持っており、日本の葬儀業界を研究した。 5 "Conditions are surprisingly close to what they were in the United States in the 1980s," Kamm tells Yomiuri Weekly. 「状況は、1980年代の合衆国におけるそれと驚くほど似ていました」と、キャムは読売ウィークリーに語る。 6 Kamm introduced the idea of pre-need funerals into Japan. His All Nations Society allows people to decide what type of funeral they d like to have while they re still alive -- a concept that spread widely in the U.S. two decades ago. Doing so, the weekly says, allows bereaved families not to fall victim to preying undertakers. キャムは日本に「pre-need」(生前予約制)葬という案を導入した。 彼のオールネイションズ・ソサエティは、人々に、生きている間にどんなタイプの葬式にするかを決めさせるようにした -- 20年前に合衆国に広く行き渡った概念である。 そうすることで、遺族は餌食を求める葬儀屋の犠牲とはならない、と読売ウィークリーはいう。 7 All Nations Society offers ceremony packs. A 10,000 yen membership while still alive entitles the buyer to such funeral packs as the 850,000 yen service that covers cremation, funeral hall costs, a hearse, a prayer altar, urn for ashes and commemorative photo. There are, Kamm says, no other costs. オールネイションズ・ソサエティは「セレモニーパック」(通夜・告別式セット)を提供している。 生きている間の会費1万円によって、会員には、火葬や葬儀場の費用、霊柩車、祭壇、遺灰を入れる骨壷、遺影を賄う、85万円のコースなどの、葬儀一式の権利が与えられる。 キャムがいうには、それ以外の経費はいらない。 8 All Nations Society can even provide single day funerals (most death ceremonies in Japan run for at least a few days) for a bargain basement 350,000 yen, almost a quarter of the average 1.4 million yen most Japanese funeral operators charge. オールネイションズ・ソサエティは、大部分の日本の葬儀屋が請求する額の平均・140万円のほぼ4分の1の、格安の35万円で、 1日で済む葬式(日本における葬送儀礼の大部分は、少なくとも2・3日間に渡って行われる)をも提供している。 9 "Sometimes, the amount demanded for the cost of an urn for ashes can be really expensive, but the actual cost of the urn is cheap," Kamm tells the magazine. "If you act according to your conscience, it s possible to provide a cheap funeral service." 「時々、骨壷のために要求される金額がとても高額になることがありますが、しかし壷の原価は安いのです」と、キャムは読売ウィークリーに語る。 「良心にしたがって行えば、安価な葬儀を提供することは可能です」 10 Kamm says All Nations Society has set up more than 2,000 funerals in advance since starting business in Japan in November 2003. He says that the biggest problem with Japanese funeral operators is collusion. キャムは、2003年の11月に日本でビジネスをはじめて以来、2000件以上の生前の葬儀予約をうけつけたという。 日本の葬儀屋に関する最大の問題は、示し合わせて事を行うことである、と彼はいう。 11 "They only ever use the same florists, the same transport companies. Funeral prices are set like a cartel," he says. 「彼らは同じ花屋や同じ運搬業者を使ってばかりいます。 葬式の値段はカルテルのように決められます」と彼はいう。 12 A desire to provide something more individual, away from the norm helped inspire Taiwanese native Fumitada Naoe to establish Sanctuary a couple of years ago. A tragic end to the life of his first love provided the final step for him. 普通から離れて、より個性的なものを提供したいという願いが、台湾生まれの直江文忠に2年前サンクチュアリを設立することを思いつかせた。 初恋の人の人生の悲劇的な終わりが、彼に最終的な決断をさせた。 13 "At her funeral, her commemorative photo was displayed on an angle. Neither the priest giving the service or the funeral operator straightened it," Naoe says. "I thought that was a terrible insult." 「彼女の葬式で、彼女の遺影が斜めに置かれました。 式を執り行う僧侶も葬儀屋も、遺影をまっすぐにしなかったのです」と直江は言う。 「私はそのことをとても嫌な侮辱だと思いました」 14 He took out his frustrations by taking business off Japanese undertakers. Sanctuary s basic payment plan offers four types of increasingly elaborate funeral services whose costs range from 400,000 yen to 1 million yen, while on top of that are customized plans promising a ceremony celebrating the dead person s character and tastes at a cost of anywhere from 1 million to 3 million yen. 日本の葬儀屋から仕事を取ることによって、彼はフラストレーションを発散した。 サンクチュアリの基本的な支払プランは、費用が40万円から100万円までの範囲にわたり次第に手の込んだものとなる、4種類の葬儀サービスを用意している。その上に、100万円から300万円の間の値段で故人の人柄と好みを賞賛する式を約束する、特別注文に応じるプランがある。 15 Midori Kotani, a Dai-Ichi Mutual Life Insurance Co. Economic Research Institute researcher well versed in the Japanese funeral business, says more foreigners like Kamm and Naoe are not the only changes people in the death trade are likely to see. 日本の葬儀業界に精通している第一生命保険相互会社の経済研究所の研究者・小谷みどりは、死亡者業界の人々が気づくことになりそうな変化は、キャムや直江のような外国人の増加だけではない、という。 16 "Japan s funeral services are going to become a lot more varied," she tells Yomiuri Weekly. "You re going to see more hotels, restaurants and florists get involved." (By Ryann Connell) 「日本の葬儀サービスはより多様化しようとしています」と、彼女は読売ウィークリーに語る。 「より多くのホテルやレストラン、花屋が参入することに気がつくようになるでしょう」(ライアン・コネル) 17 December 26, 2005 2005年12月26日 拡散状況 fuckedgaijin 部分転載：http //www.fuckedgaijin.com/forums/showthread.php?t=13789 Blogger：その他 http //logtk.blogspot.com/2005/12/funeral-business-too-undergoes.html 英語サイト http //www.funeralwire.com/article.php?id=15586 関連ページ Blogger：その他 WaiWaiの記事を転載した英語サイト：F fuckedgaijin 毎日新聞英語版から配信された記事2005年
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Many people are looking for casual dating partners. Casual dating is a type of dating that usually happens without much planning. It typically involves one night stands, friends with benefits, and other types of short-term relationships. Some people say that the best way to find a casual date partner is to just go out and meet someone you re attracted to that you know you d like to sleep with. Others claim it s better to go on an online dating site or apps. While others suggest social gatherings, parties, bars, clubs, restaurants, grocery stores and other public places where people might be looking for casual dates. The Importance of Finding the Right Casual Dating Partner It is important to find the right casual dating, because there are many options available. People have different preferences when it comes to dating. Some prefer serious relationships, others prefer occasional dates with no commitments, while some want just a hook up. The good thing about casual dating is that people can take things at their own pace and find someone compatible for them. The downside of casual dating is that people are more likely to get hurt emotionally because the other person might not be interested in any kind of commitment or they might not even show up on the date. The other downside is that people will often feel guilty for finding someone who they can have fun with instead of focusing on finding a serious relationship partner. Finding the right casual dating partner can be difficult. However, there are many ways to get to know someone casually before you commit to anything serious. The best way to find a suitable casual date is by looking for someone who shares mutual interests with you. It will make the interaction more natural and you ll enjoy it more, too. What to Look for in a Casual Dating Partner When we are looking for a casual date partner, we should look for someone who is physically attractive to us and has a sense of humor. One way to get to know someone is by having a casual date. This means that there are no strings attached and you can get to know the person outside of the context of work or school. Casual dating partners must have specific attributes in order to suit your needs. If you want to have a fun, enjoyable evening on a casual date, then there are certain attributes that you should look for in your partner. It s not necessary to find someone who is like you, and it may be more fun and less awkward if you focus on finding someone with different interests. That way, they can show you new things and teach you about what they like to do in their free time. Anyway, you ll likely want to find someone who has similar values. Tips for Successful Casual Dating Online There are numerous ways to find a date, but the easiest and most convenient way is through dating apps. Here are some tips for finding a date on dating apps. 1. Upload photos of yourself from your profile. If one has no pictures up, it may be hard for others to see what they would be looking at when they went on a date with them. 2. Complete the bio - fill in as much information as possible about oneself and what they re looking for in a partner, including height and weight requirements if there are any. 3. Have someone else take photos of you if you don t know how to do it well or just prefer not to take selfies - this will ensure that the pictures are flattering and not awkward-looking shots taken from below your chin or something like that! When it comes to finding a date, there are so many options available. But, if you don t want to go to a bar and wait around for someone, you can try online dating. What is the Different between Hooking up and Casual Dating? Hooking up is different than casual dating because of the level of commitment and intimacy. Casual dating is more of a committed relationship where you are in a committed relationship but you are not yet ready to be in one. A hookup can be anything from making out to sexual intercourse. It may last only a few minutes or hours and doesn’t always involve exchanging names or contact information. Research has shown that there is no correlation between hookups and mental health, but casual dating will last longer than just one night. There appears to be an inverse correlation between casual dating frequency and mental health, meaning that the more often they date, the better their mental health will be.
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■Crackin Up (Back Trax CD 04-88006) (1CD) 1964-1965 ■Raw Power (Blue Moon Records BMCD41) (1CD) 1964-1965 ■Really Got Live If You Want It (Pontiac Records) (1CD) 1964-1966 ■Kurhaus Scheveningen (no credit) (1CD) 1964-1967 ■England Rarest Hit Makers! (KO04) (1CD) 1966.3.29-1st show ■Sold Out (Hot Island HI-916601) (1CD) 1966.7.28 ■Du Fond Du Coeur (FF 01) (1CD) 1965-1967 ■Paint it Black (no credit) (2CD) 1965-1967 ■Beat Beat Beat (Multi Color Shades) (1CD) 1966.2.18+1967.4.15 ■Vintage Stones / 40th Anniversary (no credit) (2CD) 1964-1969 ■Vintage Stones 2 / 40th Anniversary (no credit) (2CD) 1965-1969 ■Drinking And Dancing / The Best Live In Concert 1968-1969 (Double-Time Disc DTD 004) (2CD) 1968-1969 ■Hyde Park 1969 (Bon Bon 844738-2) (1CD) ■Born In The Crossfire Hurricane (Sonic Zoom SZ 1002) (1CD) 1969.11.8-2nd show ■Stone From The Bay (Wild Bird Records WBR CD 9014) (1CD) 1969.11.9-2nd show ■Oakland 69 (Audifon AF005) (1CD) 1969.11.9-2nd show ■Live From Detroit 1969 (CA 1111) (1CD) 1969.11.24 ■Gather No Moss (Whoopy Cat WKP-0032) (1CD) 1969.12.14 ■Get Your Ya-Yas Out / The Legendary Apple Acetate (RS Apple-Promo) (1CD) 1969 ■Fuck Yer Ya-Ya s Out (no credit) (1CD) 1969 ■Gimme Shelter (The Millennium Edition) (no credit) (1CD) 1969 ■Honky Tonk Women (Starlite CDS 51148) (1CD) 1969-1972 ■Cocksuckers Roll Over Berlin (33-19-1) (1CD) 1970.9.16 ■Paris 1970 (Grey Seal GS-93001) (1CD) 1970.9.23 ■Marquee 71+Sticky Out (RS M S 001) (1CDR) 1971.3.26 ■Vancouver First Night (Off Beat Records XXCD20) (2CD) 1972.6.3 ■Live At The Hollywood Palladium (LATHP 1972) (1CD) 1972.6.9 ■You Know What These Are (Cannonball CA-2003013/4) (2CD) 1972.6.14 ■Sweet Black Angel (no credit) (4CD) 1972.6.24-2 shows ■Goin Back To The Roots American Tour-July 1972 (GBTTR 72001) (1CD) 1972.7.5 ■New York Garden (Darthdisc DD-029/30/31) (3CD) 1972.7.25-2 shows ■(Five English Gentlemen Spend A Day IN A) New York Garden (Futher Along FAP-007/008/009) (3CD) 1972.7.25-2 shows ■A Hard Shot To The Body (Super Sonic SS 200016) (1CD) Soundtrack From Ladies Gentlemen ■Live USA (Imtrat imt 900.033) (1CD) 1964-1972 ■All Meat Music (TMOQ-72006) (2CD) 1973.1.18 ■1973 Tour in Hawaii (Unbelievable Music UM 007) (1CD) 1973.1.22+1.23 ■Happy Birthday Nicky (Noja Records PPTC-292) (1CD) 1973.2.24 ■Perth 1973 (RSCD73) (1CD) 1973.2.24 ■Live in Perth Australia (Rockawhile Productions RS 89101) (1CD) 1973.2.24 ■Wizards Of O.Z. (Fire Power FP-01) (1CD) 1973.2.27 ■A Sticky Sydney Racecourse 73 (R187-22-7A) (1CD) 1973.2.27 ■100 Years Ago (94101) (1CD) 1973.9.1 ■Comeback London 73 (Alley Cat) (1CDR) 1973.9.8-2nd show+1973.9.9 ■Birmingham Odeon (no credit) (1CDR) 1973.9.19-1st show ■Bern-1973 (YT-001) (1CD) 1973.9.25 ■Are You Ready......Copenhagen (no credit) (1CD) 1973.10.7 1st show ■CPH-OCT 7, 1973-5 PM (no credit) (1CDR) 1973.10.7 1st show ■Nasty Music (SODD 012) (2CD) 1973 ■Nasty Music Millennium Edition (no credit) (2CD) 1973 ■The Stars In The Sky They Never Lie (no credit) (1CD) 1973 ■Cocksucker Blues (COC7073) (1CD) 1973 ■Best Rolling (no credit) (1CD) 1966-1973 ■All Aboard (ZIG 06) (1CD) 1972-1973 ■The King Biscuit Flower Hour (DIR 18F02) (1CD) 1973-1981 BACK / NEXT
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Into the Maw of Chaosは、Thief The Dark Projectで13番目に、Thief Goldでは16番目に登場するミッション。Tricksterが最後の儀式を完成させるのを阻止するため、GarrettはEyeのレプリカを持ってMaw of Chaosへ入る。 背景 目的 地図 ミッション内データ 背景 HammeriteがGarrettに伝えた話によると、Tricksterは自らの領土へ下り、彼の配下がCityを制圧できるように、Cityと彼の領土の間をつなぐポータルを開けることを計画しており、それを実現させるためにEyeを使った儀式を行おうとしているらしい。Tricksterの計画を阻止するため、HammeriteはEyeのレプリカを作りGarrettに渡す。もしGarrettがこれを本物とすり替えることに成功すれば、Tricksterの身に何か大きな事故が起こるだろう。儀式が行われる場所へ侵入するために、Garrettは異世界に存在するTricksterの領土、Maw of Chaosへ旅立つ。 目的 Keeperたちの話によるとConstantineは Maw of Chaos へ入って行ったらしい。彼の後を追え。 Hammeriteたちが作ったこの偽物のEyeを儀式に使われる本物のEyeとすり替えることができれば、彼の計画を台無しにできるだろう。 Constantineの配下があのポータルを通るたびに、やつらがHammer TempleやCityの中に現れることになる。Hammeriteたちによると、Constantineが儀式を終える前にポータルを破壊しなければ、たとえTricksterの計画が失敗に終わったとしてもポータルは永遠に残りつづけるらしい。(Expert) どうやら儀式の最終段階になるまで何も異変は起こらないようだ。しばらく待つ必要がある。(Garrettが偽物のEyeを置いた後) 地図 ミッション内データ ブリーフィング カットシーン テキスト
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GENRE TITLE ARTIST bpm notes CLEAR RATE BOSSA ELECTRONICA Reflection into the EDEN 猫叉Master 110 1100 86%（2013/10/26） 攻略・コメント CS Happy Skyからの移植曲、灰は☆7に昇格 -- 名無しさん (2012-12-27 17 03 39) 猫叉おなじみのズレ押し譜面。終盤にごちゃっと降ってくる部分があるのでノマゲは注意。なお中盤に一度だけで鍵盤も絡まないが高速連皿もある -- 名無しさん (2013-01-11 01 36 45) 道中は複雑な同時、Yellow Frog from Steel Chronicle(A)を速くしたような譜面が降ってくる ラストBPM遅めとはいえ32分で56トリル＋567螺旋とかくるのでノマゲ注意 …逆ボやった奴がここにいるorz -- 名無しさん (2013-01-11 10 52 21) 個人的にはズレまくりだけども楽しい譜面。終盤の皿絡みがウザい人は適当にちょこちょこ回すのも有り、それでも充分残る。まぁそこまで難所じゃないけどフルコンキラーな気がする -- 名無しさん (2013-01-11 21 00 13) 初見EXH殺しな譜面 -- 名無しさん (2013-01-12 02 29 54) ズレ譜面のわりにはスコアは出しやすい。ラスト前が少し忙しいので注意 -- 名無しさん (2013-01-12 09 05 56) 個人的に今作屈指の良譜面。演奏感がヤバイ -- 名無しさん (2013-04-05 17 14 39) 乱でHARD（2P右利き）。ラストの32分トリルとかは実質bpm220の16分なので、要求される打鍵速度は意外と速いので注意。 -- 名無しさん (2016-05-02 16 57 43) 復活おめでとうございます -- 名無しさん (2023-09-28 11 04 19) 名前 コメント
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2010/03/06『Air s Rock Night VOL.2 FREEDOM10』@新宿Live Freak http //airsrock.soragoto.net/ 日時：2010/03/06(sat) 17 30～22 30(17 00open) 料金：\1,500＋1drink(\500) or free drink(\1,500) Air s Rock Night VOL.2 2次会 日時：2010/03/06(sat) 23 00～
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作詞：新城P 作曲：新城P 編曲：新城P 歌：KAITO 翻譯：yanao 基於相互尊重，請取用翻譯者不要改動我的翻譯，感謝 Day Dream Night － 不允許夢見夢境 夢見的都將墜入惡夢 － 對我來說是看見了 美麗的世界 風觸碰上我 風滑過我身邊 朝外踏出步伐 此刻 飛躍而起吧 與友人的旅程（與你的旅程） 如同裝著寶石的寶箱般 友人也同樣地（你也同樣地） 被那美麗所吸引著吧 此處是我製造出的夢 仍然不為人所知 在覺醒之歌尚未傳達到時 刻畫於心 被月光照耀的 深夜天空 聽得見通往 破滅的交響曲 歌姬繼續寧靜沉睡 我則是夢中之人Ikelos E kuru hetwuya en ra ra kuronoa totwuya teri kua ru E kuru hetwuya en ra ra kuronoa iruwa teri kuwa ru E kuru hetwuya en ra ra kuronoa totwuya teri kua ru E kuru hetwuya en ra ra kuronoa nemyura Hypnos？ 不要忘了（不會忘的） 在這之後發生的事皆是真實 告訴你吧（我不想聽） 那無法隱藏的現實 由我造出的夢之舞台 為人所知而停下腳步 迄今為止度過的回憶 就此失去 我是誰？我又是什麼？ 我是身在何處？ 心彷彿被粉碎的 拉長石 當歌姬醒來時 此處將化為烏有 被切割的光 黑夜中的Nyx ra ra ra…… 照耀行路的月光 響起抒情詩之音 希願能再次相逢 而鬆開手 對夢想抱以微笑……
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ONE NIGHT IN NEO KOBE CITY 収録作品：スナッチャー［PCECD/MCD/PS/SS］ 作曲者：コナミ矩形波倶楽部(古川もとあき) 概要 キャストやスタッフのテロップが表示されるオープニングデモで流れるBGM。 PC-8801版とMSX2版のオープニングでは「TWILIGHT OF NEO KOBE CITY」が使われていたが、PCエンジン版では新しく本曲に差し替えられた。 その後のメガCD版(海外のみ)、プレイステーション版、セガサターン版の移植版でも使われている。 SUPER CD-ROM2のCD音源を駆使したフュージョンサウンドで、サックスの生音が響き渡る非常に渋くて味わい深い楽曲。 また以前の機種よりも映像の表現率が大きく上がったため、よりリアルになったオープニングデモのネオ・コウベ・シティの映像も印象深い。 途中で曲に人のざわめきのような声が入るが、デモではちょうどこの部分に街の雑踏のシーン(*1)が入るなど芸が細かい。 映像・音楽ともに大幅に進化した新しい『スナッチャー』を象徴する音楽として現在でも人気が高い。 この曲は『ポリスノーツ』でも収録されており、北条のCDコレクションの中から聴ける。 『beatmania ClubMIX』では菅谷英明氏がこの曲をリミックスした「Snatcher ～Dual Vacuum Mix～」が収録。 『メタルギアソリッド4 ガンズ・オブ・ザ・パトリオット』ではこの曲が入ったiPod musicが手に入る。 過去ランキング順位 第5回みんなで決めるゲーム音楽ベスト100 698位 第13回みんなで決めるゲーム音楽ベスト100 614位 みんなで決めるランキング・マイナーレトロ機種限定 38位 みんなで決めるKONAMIのゲーム音楽BEST100 18位 みんなで決めるオープニングBGMベスト100 87位 みんなで決める夜曲ランキングベスト100 20位 サウンドトラック SNATCHER-ZOOM TRACKS-/THE SYBER PUNK ADVENTURE
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A figure, with a loud sound, made the reddish door dark. A man was sticking his profile on glass. His hair looked as if it was set with sugar and water. The man slipped in the door. The ravages to his jacket were found at flank. A large proportion of the cloth was stained with reddish brown that looked like a paint that has dried bubbling. That was why I did not think it was denim at first. He looked so pale as if denim was reflected in his face. I suspected that the shadow under his eye was blood. Although people who sat on sofas discerned the man s strange appearance, they crouched down still, not daring to move or scream. The man who fell on his face suddenly was sliding on the floor toward my feet. Gee! A horrible sensation crawling over my back made me dance in a comical manner. The man was kicked from behind. The woman in a shaggy bob was wearing light blue protective gears in her shoulders, elbows, and knees. The contrast between her thin arms or waist and the bulging gears was suggestive of an ant or a cafe racer. The man stood up, turned round toward Cafe racer, and moved his arms up slowly. She was close upon his face. Cafe racer just had grasped the pole of advertising banner before a stand. She grasped the pole again upside down. Using centrifugal force, she swung the pole up, and hit its heavy foundation accelerated to the man s head. The swing chopped the head. The head flew through the air and fell. The body inclined after the head. The man fell down on the floor again. Blood splash went up and broke to pieces. Each fine ball floated further. Preceding balls waited others until all reached her waist-high. Then the balls fell straight down. I estimated that it was lighter than mercury. Terrible, Spine said. Cafe racer ran back to the door and turned the key. What do you think you re doing? Spine s voice rang out. Listen, she spoke aloud towards the whole room. The area has been polluted. Do you work for the Department of Health? Spine responded in a relaxed manner. I have never heard of any departments by the name. How about blowing mine? Spine grinned with his indecent voice. Nobody followed him. It is fortunate. I cannot deal with two persons less than zero. What did you say? Spine made a snatch at Cafe racer when she kept his forehead with the pole. I guess you can speak because you got angry. There you are! Aircraft carrier grinned. PREV / NEXT The Point 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8
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【Tags Bousou-P GAiA Len Luka Rin tA A】 Original Music title ANTI THE∞HOLiC Romaji music title ANTI THE∞HOLiC Lyrics written by GAiA Music written, Voice edited by cosMo \ 暴走P (Bousou-P) Music arranged by cosMo \ 暴走P (Bousou-P) Singer(s) 巡音ルカ (Megurine Luka), 鏡音リン (Kagamine Rin), Chorus by 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Now! Don t we start telling the real from the false of the future? Ah! Don t be fooled by the alchemy telling you a tall story of eternity The beginning was an unquenchable desire awoken by loss Though I re-treaded, reorganized and converted, the end is still there with variability The king of devils who ruled the night ended for single-hearted compunction The god modeled with melted taboo was gone into oblivion The self of electronic parallel collapsed for being pulled by the arm of star-core ＝Those were nothing but deviations that wandered off the rule of life Even the gods who preside over lives are to vanish away someday The theories, the formulas Everything would be reversed Ah! Even if a life is shammed and marked in the world Ah! It would disappear, doing expiations of transgression one and another What we obtained was not an extension It was a parallel ray that would penetrate through the past, the future and the present time （Lalala...） Both haves and have-nots are to reach the end of the way someday As we stopped at the dead end and depended on the locus, what folly we did was autonomy The promised peace would be all chewed up by boredom The diva "the culture" that weaves the zero "the birth" and the disappearance is a feigned recurrence The transmigratory romance would fall by the slander of random-digits-demon ＝Those are nothing but escapes that ignored off the rule built by time Even the gods who preside over time cannot escape The fates, the truths Everything is a rewritable; even the qualities, the oppressions, the impeachments, the disparities and the momentums... are, sinalio Ah! The circular ring that closed up the admired past is Ah! A fragile short circuit that would burn out someday We forgot how unreasonable the world is! Getting out of the ring, we face the perfect answer Now! Shatter the key that is telling what the world is Now! Put an end to the fake loop that is as good as a corpse We ll hope and wait for the ones who would be set free from the historical chains and follow us Romaji lyrics (transliterated by blacksaingrain)： Saa! Hajimeyou ka mirai no shingan kantei wo Aa! Damasareruna usobuku renkinjutsu ni Hajimari wa shitsubou ni yobisamasareta shinen Yarinaoshi kuminaoshi katashi kaedo kakan ni yorisou shuuen Yoru wo suberu mamono no ou wa hitagokoro no kashaku ni tsuie Tokashita kinki de katadorishi kami wa boukyaku no kanata e Denshi no heiretsu jiga wa seisuu no ude ni hikare houraku Shosen wa seimei no RULE itsudatsushita meisou Inochi ayatsuru kamigami de sae izure kiesaru Kotowari koushiki Subete wa uragaesareru Aa! Sekai ni shirushi itsuwari fushite mo Aa! Hakai no tsumishiro tsuminagara ni kakikieru Motometa no wa enchousen de wa nai Kako mirai ima wo tsuranuku RAY (Lalala) Motsu mono motazaru mono mo itsuka itaru michi no hate Ikidomari tachidomari kiseki tayori jisetsu to iu gu okasu Yakusokusareta antei wa kentai ga subete kuraitsukusu Tanjou shoushitsu orinasu bunka wa misekake no junkan Rinne no renaitan wa ransuu akuma no zankou ni ochiru Shosen wa toki kakeshi RULE mokusatsushita tonsou Toki wo ayatsuru kamigami de sae nogarerarenai Unmei shinjitsu Subete wa kakikae kanou no Shishitsu yokuatsu sakushu dangai kakusa kiun... sura Shinario Aa! Agameta kako wo tojita enkan wa Aa! Yagate yakikiru hakanai tanraku kairo Wasureteita sekai to iu rifujin Wa wo nuke mamieru risou no kai Saa! Sekai wo kataru kagi wo funsaishi Saa! Shikai to mimagou Fake Roop ni shuushifu wo Rekishi no kusari kara tokihanatareta Warera ni tsuzuku mono tachi wo nozomi matou [cosMo, Bousou-P, BousouP, GAiA]